The Appetiser

by Joy Bomer

As his tongue touched the glistening rims of my flesh — raw and exposed — I knew this particular experience would grow into a catalyst for many more to follow. Exhilarating yet fragile. It was emancipatory, in a way I guess, yet not without a sense of debasement so obvious it resonated like an echo throughout the room. The carnality of it all, I thought, as revulsion merged with subdued excitement. 

After initial hesitation, his appetite grew. First, a careful lick. Moments later, a gluttonous gobbling. The clashing of tissue against tissue. Him; hunching forward. A strand of hair cleaving his left, hazel-coloured eye in two. At the sternal end of his clavicle, a muscle twitched erratically. I shift my focus back onto his lips where moist residue accumulated in the corners of his mouth. 

He devoured me. 
But then again, he always did have bad impulse control. 

                    Cue: switch roles.  

—Get ready 
He handed me the appetiser plate. A clean, flat design in diffused white. The vintage porcelain finish feels smooth to the touch. I run my finger along its belly and place it on the glass coffee table with the rest of the dinnerware. 

My movements are slow and out of sync. Aquatic. 

What little specks of colour the room did possess have been drowned out by the evening’s afterglow. At the far end of the tabletop, an abstract marble sculpture anchors a stack of vintage books consisting of, among others, a photographic overview of Brutalist architecture and a Tom Ford retrospective. Reflected in the glass, his body sits skewed and lopsided. As I wonder whether this distorted image excites or unsettles me, I draw a sharp breath. 
—I am

We had gone over it so many times. 
One scenario after another. 
Ruminating. 
Considering all possibilities. 
Each new thought circling back to this initial idea. 
The original fascination. 
When did it even begin? 

After due deliberation, we decided on slicing, as opposed to cutting, for fear of going in too deep. It seemed like the sensible thing to do. For the first time, at least. We settled on an electric kebab shaver. Professional grade, in the smallest size available. 

Perhaps it wasn’t the most eloquent solution, but it got the job done: trial runs had awarded our efforts with thin, rectangular servings of filet mignon. 2 by 5 cm apiece. The instrument’s machinery reverberated gently against the palm of my hand. I contemplated superficial notions of destiny, fate, and inevitability. 

                    Next up: begin.

Him; leaning back against the shining leather of the Grand Modele armchair, limbs awkwardly propped, assuming a nonchalant demeanour that seems acted and contrived. 

The frantic sounds of contemporary electric Jazz were playing out on low volume — the isolated speakers of the surround sound system were all secretly at war. As I let my gaze shift to the left, I saw the skyscrapers perforate the night sky from the window of our high-rise apartment. 

The thigh had been treated with local anaesthetic. 
We were, after all, not masochists.

The light in the room was dull. The cut was clean. After placing the slice on my plate, I added a gentle squeeze of fresh lemon juice to acidulate the meat. It looks quite pretty — I resist the urge to take a picture.

To stimulate the palette, a sip of Bollinger Brut.

                    Inhale. Drink. Swish. 

I let the liquid caress every inch of the oral mucous membrane. Its tartness is titillating and immediately increases the secretion of saliva. My mouth is a pool in which I can receive your flesh. I slide my foot in his direction, waver an inch or so before impact, and retreat. The coldness of the epoxy floor settles in through the soles of my feet, latching onto the epidermis, travelling along the veins, only to ultimately overtake the entire muscular tissue and inhabit the nervous system. Recompose yourself

Against the soft white of the dinnerware set you stand out rich and saturated. A specific shade of warm red that I can’t quite place. I catch myself thinking of the Maguro Nigiri pictured on laminated menus of those outdated sushi places. Looking at him now, I see only disjointed segments: a somewhat lazy lower eyelid with its iridescent gleam, the weirdly protruded kneecap encased by a bulging vein, and the whitened ridges along the nail of the thumbs indicating nervousness or general weakness of character. 

                    Chew. Taste. 

You reminded me of veal: young and tender. 
—Would also go well with bordelaise sauce,
I remarked. 

                   And swallow. 

Jelle Haen / Aris Tottle in Yellow — HandyCam video still by Joy Bomer

‘The Appetiser’ is a short story by Joy Bomer centring a literal depiction of the psychoanalytic mechanism of ‘incorporation’ as an attempt to overwrite the barriers placed upon us through language. 

Special thanks to:
restaurateur Joa Hitpass for providing cannibalistic culinary advice

Visuals:
1. video research for upcoming installation Swallowed W/hole 
2. ‘XX_07 / ARIS in Yellow’ handycam video still featuring Jelle Haen / Aris Tottle 

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